Showing posts with label classic records. Show all posts
Showing posts with label classic records. Show all posts

Saturday, August 18, 2007

Huey Lewis and the News - Sports - LP Record

Huey Lewis and the News

Huey Lewis and the News - Sports

1983 Chrysalis Records

Sports is the third album by American rock band Huey Lewis & the News, released in 1983 (see 1983 in music). This was the album that truly broke the band into the big time, going to #1 on the Billboard 200 on June 30, 1984 and making the band international superstars. The album has been certified 7 x Platinum by the R.I.A.A but has unofficially sold 10 million copies in the US alone. Sports was the 2nd biggest selling album of the year next only to Thriller and spawned four Top 10 hits on the Billboard Hot 100 and an additional Top 20 on the same chart. It also did very well internationally, with most of its singles reaching great chart peaks in various countries. In addition the album"s biggest hit I want a new drug was certified gold with sales of a million copies and was also the centre of a law suit against artist Ray Parker Jnr who had plagiarized the song for his 1984 hit Ghostbusters. The case was eventually settled out of court for an undisclosed sum. During the band"s 1984-1985 Sports tour, Huey Lewis & The News were the biggest grossing touring act in America.

Songs:

The Heart of Rock and Rool
Heart and Soul
bad is Bad
I Want a New Drug
Walking on a Thin Line
Finally Found a Home
If This Is It
You Crack Me Up
Honky Tonk Blues

To view more information about this album visit Huey Lewis - Sports

Tuesday, July 17, 2007

Jeff Beck - Wired - LP Record

Jeff Beck

Jeff Beck - Wired

1976 CBS Inc. / Epic Records

Solo Album by Jeff Beck

Songs:

Led Boots (Max Middleton) – 4:03
Come Dancing (Narada Michael Walden) – 5:55
Goodbye Pork Pie Hat (Charles Mingus) – 5:31
Head For Backstage Pass (Wilbur Bascomb, Andi Clark) – 2:43
Blue Wind (Jan Hammer) – 5:54
Sophie (Walden) – 6:31
Play With Me (Walden) – 4:10
Love Is Green (Walden) – 2:30

To view more information and photos visit Jeff Beck - Wired.

Wednesday, July 11, 2007

Chicago - V - LP Record

Chicago

Chicago - V

1972 CBS, Inc., Manufactured by Columbia Records

Chicago V is the fifth album by American rock band Chicago and was released in 1972. It is notable for being the group"s first single full-length release, after having released three consecutive double albums and a box set of live material.

Following the release of Chicago III in 1971, which almost left Chicago creatively spent, the band decided to curb their penchant for double albums and work on more concise numbers (in deference to the suites that had typified their previous work) in order to fit all of their new material onto a single album. Chicago V is also notable for Robert Lamm"s prolific songwriting; eight out of its ten are composed solely by him.

Recorded just before Chicago at Carnegie Hall was released in the fall of 1971, Chicago V was cut in just over a week and held over for release until the following summer. Preceded by Saturday In The Park, which reached #3 - the band"s biggest hit thus far, the critically-acclaimed Chicago V became the biggest hit album of 1972, not only becoming Chicago"s first #1 album but spending nine weeks in the pole position in the US. In the UK, the release managed to reach #24. Follow-up single, Dialogue (Part I & II) (#24) also became a Top 30 hit.

In 2002, Chicago V was remastered and reissued by Rhino Records with three bonus tracks:

Songs:

A Hit by Varèse – 4:56
All Is Well – 3:52
Now That You"ve Gone (James Pankow) – 5:01
Dialogue, Part I – 2:57
Dialogue, Part II – 4:13
While the City Sleeps – 3:53
Saturday in the Park – 3:56
State of the Union – 6:12
Goodbye – 6:02
Alma Mater (Terry Kath) – 3:56

To view more information on this album visit Chicago - V.

Monday, July 9, 2007

Blues Brothers - Briefcase Full of Blues - LP Record

Blues Brothers

Blues Brothers - Briefcase Full of Blues

1978 Atlantic Records

Briefcase Full of Blues was the first album by The Blues Brothers, released in 1978 by Atlantic Records. The album reached #1 on the Billboard 200 and double platinum. Two singles were released, Rubber Biscuit, which reached #37 on the Billboard 100 and Soul Man, which reached #14.

Tracks:

Opening: I Can"t Turn You Loose (Redding) – 1:50
Hey Bartender (Dixon) – 3:01
Messin" With the Kid (London) – 3:35
- Originally by Junior Wells
(I Got Everything I Need) Almost (Walsh) – 2:50
- Originally recorded by Toronto"s Downchild Blues Band
Rubber Biscuit (Johnson, Levy) – 2:57
- Originally recorded by The Chips
Shot Gun Blues (Walsh) – 5:23
- Also by Downchild Blues Band
Groove Me (Floyd) – 3:46
I Don"t Know (Mabon) – 4:14
Soul Man (Hayes, Porter) – 3:28
"B" Movie Box Car Blues (McClinton) – 4:08
Flip, Flop & Fly (Calhoun, Turner) – 3:38
Closing: I Can"t Turn You Loose (Redding) – 0:51

To view more information about this album visit Blues Brothers.

Saturday, July 7, 2007

Billy Joel - 52nd Street - LP Record

Billy Joel

Billy Joel - 52nd Street

1978, CBS Inc. / Columbia Records

Joel faced high expectations on this album. 52nd Street was conceived as a day in Manhattan, and was named after the famous street of same name which hosted many of the world"s premier jazz venues and performers throughout the 1930s, 40"s, and 50"s. Fans purchased over seven million copies on the strength of the hits My Life (# 3), Big Shot (# 14), and Honesty (# 24). This helped 52nd Street become Joel"s first # 1 album. My Life eventually became the theme song for a new US television sitcom, Bosom Buddies, which featured actor Tom Hanks in one of his earliest roles. 52nd Street was the first album to be released on Compact Disc in Japan (1982). The album won Grammys for Best Pop Vocal Performance, Male & Album of the Year. Despite all the cover art for the album showing Joel holding a trumpet, he does not play the instrument on the album, though two tracks on the album do feature trumpets. Freddie Hubbard plays two solos in Zanzibar and joins Jon Faddis in the horn section for Half A Mile Away.

Songs:

Big Shot
Honesty
My Life
Zanzibar
Stiletto
Rosalinda"s Eyes
Half A Mile Away
Until the Night
52nd Street

To view more information on this album please visit Billy Joel at Original Vinyl Records.

Friday, July 6, 2007

Barbra Streisand - Superman - LP Record

Barbra Streisand

Barbra Streisand - Superman

1977 CBS Inc / Columbia Records

Barbra Joan Streisand (born April 24, 1942 in Brooklyn) is an Academy Award-winning American singer, theatre and film actress, composer, liberal political activist, film producer and director. She has won Oscars for Best Actress and Best Original Song as well as multiple Emmy Awards, Grammy Awards, Golden Globe Awards. Streisand now ranks as the top-selling female artist in U.S. history in the USA alone, according to RIAA shipments (outranked by Mariah Carey for actual sales). She is considered one of the most successful female entertainers in modern entertainment history and is the only woman in the top 10 biggest selling music artists in the U.S.

Songs:

Superman (R. Snyder) - 2:47
Don"t Believe What You Read (B. Streisand / R. Nagle / G. Mathews) - 3:37
Baby Me Baby (R. Miller) - 4:26
I Found You Love (A. Gordon) - 3:50
Answer Me (B. Streisand / P. Williams / K. Ascher) - 3:16
My Heart Belongs To Me (A. Gordon) - 3:21
Cabin Fever (R. Nagle) - 3:14
Love Comes From Unexpected Places (K. Carnes/D. Ellingson) - 4:10
New York State of Mind (B. Joel) - 4:44
Lullaby For Myself (R. Holmes) - 3:17

To view more information or photos of this album visit Barbra Streisand.

Wednesday, July 4, 2007

Angel - Helluva Band - LP Record

Angel

Angel - Helluva Band

1976, Casablanca Records, Inc

Songs:

Feelin" Right
The Fortune
Anyway You Want It
Dr. Ice
Mirrors
Feelings
Pressure Point
Chicken Soup
Angel Theme

To view more information about this album or to purchase visit
Original Vinyl Records | Angel

Tuesday, July 3, 2007

AC / DC - High Voltage - LP Record

ACDC

AC / DC - High Voltage

1976 J. Albert and Sons (pty) Ltd. USA

High Voltage is the first internationally-released album by Australian hard rock band AC/DC, released in May 1976. Eight of the album"s nine songs were written by Angus Young, Malcolm Young, and Bon Scott. Can I Sit Next to You Girl was written by Young & Young.

Originally released on Atlantic Records, this edition of High Voltage has proven popular, selling 3 million units in the United States alone. However, the album was panned by some critics upon its release, including a review by Rolling Stone magazine that called it in all-time low for the hard rock genre. It was re-released in 2003 as part of the AC/DC Remasters series.

Songs:

It"s a Long Way to the Top (If You Wanna Rock "n" Roll)
Rock "N" Roll Singer
The Jack
Life Wire
T.N.T.
Can I Sit Next To You Girl (Young & Young)
Little Lover
She"s Got Balls
High Voltage

To view more infomation about this album or to purchase visit AC / DC | Original Vinyl Records

Monday, July 2, 2007

Vanilla Fudge - The Beat Goes On - LP Record



Vanilla Fudge - The Beat Goes On

1968, Atlantic Records, USA

Vanilla Fudge was an American psychedelic band that recorded albums from 1967 to 1970. Members included organist Mark Stein, bassist Tim Bogert, lead guitarist Vince Martell, and drummer Carmine Appice.

They had a number of hit singles, their biggest hit being You Keep Me Hangin" On, a slowed-down, trippy, hard rock cover of a song originally recorded by The Supremes, which particularly featured Appice"s energetic drumming. One follow-up to this hit, Take Me For a Little While, had a quite different lyric message than the former.

The members of Vanilla Fudge were great admirers of The Beatles, and covered several of their songs including Ticket to Ride, as well as Eleanor Rigby, of which The Beatles were quite fond.

They were inducted into the Long Island Music Hall of Fame (www.limusichalloffame.org)on Oct 15, 2006, along with Billy Joel and Joan Jett. Fellow Long Islander Felix Cavaliere inducted them into the hall.

Songs:

Side 1

Sketch
Intro: The Beat Goes On
Eighteenth Century
- Nineteenth Century
- Twentieth Century
- 12th Street Rag
- In The Mood
- Hound Dog
- The Beatles
- - - I want to Hold Your Hand
- I Feel Fine
- Day Tripper
- She Loves You
The Beat Goes On (Phase 2)
Beethoven
The Beat Goes On

Side 2

The Beat Goes On
Voices In Time (Phase 3)
- Neville Chanberlain
- Winston Churchill
- Franklin Delano Roosevelt
- Harry S. Truman
- John F. Kennedy
- And Other Voices
The Beat Goes On (Phase 4)
Merchant
- The Game is Over (Vinnie)
- Merchant
- The Game is Over (Tim)
- Merchant
- The Game is Over (Carmine)
- Merchant
- The Game is Over (Mark)
- Merchant
The Beat Goes On


To view more about this album or to purchase please visit Vanilla Fudge | Original Vinyl Records.

Tuesday, June 26, 2007

The Ventures - The Horse - LP Record

The Ventures

1968 Liberty Records Inc. USA

Initially calling themselves The Versatones, Bogle and Wilson played small clubs and beer bars in the Northwest. In 1959 they recorded and released two vocal tunes, The Real McCoy and Cookies and Coke, but neither record charted. They met and recruited Nokie Edwards as bass player, and recorded Walk Don"t Run with Bogle on lead, Wilson on rhythm, Edwards on bass, and Skip Moore on drums. They approached several record companies, none of whom showed any interest in signing them. With support from Don Wilson"s mother, Josie, they started their own record company, Blue Horizon Records. They self-produced the 45 RPM single of Walk Don"t Run and promoted it themselves.

They succeeded in getting a local Seattle DJ, Pat O"Day, to use the song as a news kicker (lead-in); Bob Reisdorf, owner of Dolton Records, heard it on the radio, contacted and signed The Ventures. Walk Don"t Run climbed to #2 for a week on the Billboard Top 100, in September 1960.

The story behind their selection of Walk Don"t Run provides some insight into the distinction between technical virtuosity and the essential elements of a wildly successful pop music hit. Bob Bogle, original lead guitarist, cites Chet Atkins as one of his early influences. Bogle bought the Chet Atkins LP Hi Fi In Focus, which featured Atkins" finger style rendition of a song originally written by the great jazz guitarist, Johnny Smith. Within Atkins" elaborate and laid-back delivery of Walk Don"t Run Bogle found inspiration. He stated years later that there was no way his pedestrian guitar skills would allow him to play it the same as Chet Atkins did, so he and Wilson worked out a highly energized, very much simplified arrangement, and a Rock & Roll Classic was born. Another Chet Atkins inspired guitarist, Steve Howe of Yes, covered Walk Don"t Run on his 1998 album Quantum Guitar.

Songs:

The Horse
Here Comes the Judge
Licking Stick - Licking Stick
Crazy Horse
The Gallop
Grazing In The Grass
Medley:
- Walk-Don"t Run
- Land of 1,000 Dances
Soul Breeze
Jumpin" Jack Flash
Choo Choo Train
Horse Power
Tip-Toe Thru" The Tulips With Me

To get more Photo's, Information, or to purchase this Album view The Ventures | Original Vinyl Records

Monday, June 25, 2007

The Byrds Greatest Hits - LP Record

The Byrds Greatest Hits LP

The Byrds Greatest Hits

1967 CBS Inc. Columbia Records

The Byrds Greatest Hits is the fifth album, and first compilation, by the American rock and roll band, The Byrds, released 1967 on Columbia Records, catalogue item CL 2716 in mono, CS 9516 in stereo. It is the top-selling album in the Byrds catalogue, reaching #6 on the Billboard Top Pop Albums chart in 1967, certified a platinum-seller by the Recording Industry Association of America on November 21, 1986. In 2003, the album was ranked number 178 on Rolling Stone magazine"s list of the 500 greatest albums of all time.

A summary of the Byrds history during the stays of Gene Clark and David Crosby in the band, this compilation also serves as the survey of the group"s hit singles from 1965 to 1967 inclusive, the time when they were a force on the singles chart. Every A-side from this time period appears, with the exceptions of Set You Free This Time, Have You Seen Her Face, and Lady Friend, none of which cracked the Top 40. The set includes three favored album tracks, with the remaining eight singles tracks peaking at the following positions on the Billboard Hot 100: 5D (Fifth Dimension) #44; All I Really Want to Do #40; Mr. Spaceman #36; My Back Pages #30; So You Want to Be A Rock and Roll Star #29; Eight Miles High #14; Turn! Turn! Turn! #1; and Mr. Tambourine Man also #1. The last three records were among the most innovative and influential of the entire decade, at a time when singles, at least in rock and roll, were as important entities in their own right as albums, and generally more so. Turn! Turn! Turn! summed up sixties counter cultural values as much as Blowin" in the Wind, (I Can"t Get No) Satisfaction, or All You Need Is Love, while Mr. Tambourine Man and Eight Miles High helped to introduce the sub-genres of folk-rock and psychedelia respectively into the popular music of the day.

Greatest Hits was remixed and remastered at 20-bit resolution as part of the Columbia/Legacy Byrds series, reissued in an expanded form on March 30, 1999. The three bonus tracks included two of the remaining singles from this period, plus It Won"t Be Wrong. It was reissued again in the SACD format, with the same expanded track listing as on the 20-bit remaster, on January 30, 2001. All of the songs on this set appeared as well on the band"s first four albums proper.

Songs:

Mr. Tambourine Man
I"ll Feel a Whole Lot Better
The Bells of Rhymney
Turn! Turn! Turn! (To Everything There Is a Season)
All I Really Want To Do
Chimes of Freedom
Eight Miles High
Mr. Spaceman
5 D (Fifth Dimension)
So You Want to Be a Rock and Roll Star
My Back Pages


To View more about or purchase this record visit The Byrds Greats Hits - LP Records | Original Vinyl Records

Sunday, June 17, 2007

Copyright laws in Music, not like Classic Records

I was reading something about copyright laws yesterday when something caught my attention. There was a comment about how copyright laws are out dated and possibly not even enforced anymore when directed at the average consumer.

The Idea behind this post was to point out that we are no longer using Stores to transfer media like we did with vinyl records or tapes. The media is readily available over the Internet for immediate download, and the ease of sharing is extremely easy. The RIAA needs to reform its actions when it comes to copyright protection and stop pursuing the average consumer for downloading licenced music.

What needs to happen is the Removal of companies that allow shared music and other files over P2P (Person to Person) networks like Kazza, Limewire, or Bearshare. Then we need to add some sort of Watermark to all media that actually limits the Copy of digital media. Next, if the copyright is somehow figured out on how to be removed we need to shut down the programs being shared and sue the company or individual for creating the program. This is Hypothetically only if we do this Anyway.

So the question comes up, and this is what started DVD copy programs, are we allowed to make copies of our own music to protect it against damage for backup purposes? The answer is Yes, we should be allowed to do so. But, how are we going to do this? What should be implemented for this sort of backup? Can we buy a 20 track CD that is in wave media form and change it to mp3 so that it fits on one single piece of media along with my other 9 disks? Is that copyright infringement?

These questions just tell me that the RIAA's laws are out dated because we are violating laws everyday, just by transferring the media to a different medium so that it is playable in our own cars. So what is the Solution?

In my personal opinion, each band, song writer, publisher, or anyone else who creates a work of art should be responsible for protecting their own work and we should abolish the RIAA. I think I have established a set of rules that might help this problem.

Step 1:
Abolish all digital media.

Step 2:
Start up Digital Music Recording like the DVR we have for home music.

Step 3:
Access on Demand.

Step 4:
Sell access on demand subscriptions like we do with cable or satellite services.

What this will accomplish?
The need for backup media will be completely absorbed, the need to download media will be completely removed. Sirus satellite radio and the other satellite radio should be the new standard. At $10.00 per month who wouldn't purchase every album they ever wanted without ever having to make a backup?

This solution will work, and it seems that its possible that we will get there anyway.

So what will happen to all the media that we already have? Players will become outdated, Record companies will need to convert to Record Station and all radio providers will need to portion there money based on the Bandwidth used on the radio.

But, even when we get there? How long will it be before someone actually cracks the code and gets free media? Who knows and Who cares, because this is just another step in the right direction.

Wednesday, June 6, 2007

Classic Records




Have you noticed the huge change in the Music industry over the past few decades. It seems that as the internet evolves so does the music industry. The usage of vinyl records has been reduced, 8 tracks and tapes have been shut out. CD's are now evolving to another form of media, MP3's. It would be silly to think that MP3's are going to last.



Original Vinyl Records and More is trying to preserve the 60's 70's and 80's music period.



The problem I have is not with the music companies, or with the music. It's with the change from physical to digital. Vinyl Records are the start of this music change. They are the beginning of the music revolution. Music prior to these Original Vinyl Records was only transfered by radio and possibly television at that time. Original Vinyl Records and More understands this and wants to recreate a dying trend.



Today's society is all about the clarity the ease of receiving and what ever it takes to stay lazy. Seriously, Can't anyone understand that music is not about the perfect clarity the digital funk or the crazy rhythms. Music is about heart soul and giving it everything you have got. The slight crackles of the needle as it slides across the LP are part of the sound. The possibility of scratching the Records is just one more reason to take good care of them. The Large Sleeves that cover the Records provide some of the greatest wall Art that has ever been available.



Original Vinyl Records and More is providing some of the world greatest Rock bands, Comedic Records, Easy Listening, Classics, and the first sounds of the digital music revolution with the most collectible record of all time - Pink Floyd - The Dark Side of the Moon


Please Visit Original Vinyl Records and More to keep a piece of this history for yourself.